Jon Keller never though he’d be at a conference in a hotel in Switzerland when the world ended, but that’s exactly how it happens. One moment, he’s having a hotel breakfast, the next there’s a woman screaming at her phone, devastated to learn that there’s […]
Tag: three star review
Hello there, and welcome to my stop on the Before I Find You blog tour. Sorry for the radio silence over the past couple of weeks: we’ve moved home and trying to get WiFi installed has been a nightmare, so it’s been a blogless fortnight for me. […]
“Why would they be afraid of us? We have no powers.”
“Of course we don’t,” she says, looking away from me. “But the humans do not understand that. They fear that their men will be overcome with madness and dive into the depths of the water to make a bride of one of us, finding only death instead. And then they blame us, as men have always blamed women, for prompting their lust, for fuelling their insatiable greed for something they cannot have.”
I found myself surprisingly underwhelmed by Louise O’Neill’s feminist retelling of The Little Mermaid.
You already know the story: a mermaid is so desperate to be a human that they give up their voice in return for legs. When Gaia goes to the Sea Witch for help, she brutally chops out Gaia’s tongue and makes her into a human female, warning her that – as well as being in excruciating pain with every step she takes – if she can’t make Oliver fall in love with her within a month, she’ll be reclaimed by the sea.
I’d seen rave reviews about this retelling, and because I already loved O’Neill’s Asking For It (even though it did emotionally destroy me) I was expecting this to be one of the best retellings I’d ever read. Sadly, that wasn’t the case, because the pace moves painfully slowly. There’s a huge focus on the way that the mermaids are treated by the mermen, demonstrating how sexist the society is and why Gaia is so desperate to escape. It isn’t integrated well, though, and it feels like preaching.
On the other hand, the last quarter of the story happens at a breakneck speed. It’s so fast that it’s hard to absorb it all, and compared to the dull and dreary dragging of the majority of the book it’s ridiculously difficult to keep up with everything that’s happening.
I really struggled to motivate myself to pick this up, and it’s been hard to motivate myself to review it, because I don’t have much to say about it. There’s no redemption: Oliver is a dick and doesn’t improve much by the end of the story, and Gaia doesn’t undergo much character development either.
I can’t remember the ending of the original tale of The Little Mermaid (my memory has been warped too much by the saccharine sweetness of the Disney version) so I’m not sure how unique the ending is compared to Hans Christian Andersen’s version, but it felt predictable. I know retellings are supposed to be predictable, but only to a degree – there should be something which makes them memorable and gives them their own personality, but I didn’t find that in this instance. O’Neill definitely makes her point about the mistreatment of women, but it’s delivered in a heavy-handed way which doesn’t make for great storytelling or interesting characters.
If you’re interested in learning more about The Surface Breaks, check it out on Goodreads. If you decide to buy a copy, please consider using my Amazon affiliate link: I’ll earn a few pennies from your purchase. Thank you!
Hello, and welcome to my stop on the Beardies’ World blog tour. First off I’d like to say a huge thank you to Faye, for inviting me to take part in this blog tour, and to Joyce Ives, author of Beardies’ World, who has written a lovely guest […]
Hello, and welcome to my stop on the blog tour for The Incendiaries by R.O. Kwon. A debut novel widely agreed to be one of the most anticipated novels of 2018, it’s an honour to have been invited to participate – a huge thank you to Grace […]
‘Slay did two things, and they did them well. Play killer music and kick demon butt. Music done. It was butt-kicking time.’
If you love One Direction, 5 Seconds of Summer and McFly, you’ll love Slay. JD, Tom, Connor, Niv and Zek are the next big thing, and fans all over the world are eager to get a piece of them. They never stop touring, for one reason and one reason only.
Yep, you guessed it: so they have an excuse – and the money – to fly all over the world defeating demons and keeping humankind safe.
Milly discovers Slay’s secret when her mother gets possessed by a demon. Unfortunately the boys are too late to save Milly’s mother, but they manage to save her and she’s quickly swept up in a demon slaying adventure.
The demon possessing Milly’s mother, Zyanya, is desperate to resurrect Tezcatlipoca – the god of all demons – and she needs the Blade of Shadows to do it. The only way to destroy the Blade of Shadows is to take it to the Aztec temple where the ritual to bring Tezcatlipoca back must be performed. Risky? Yes. But there’s no other way to get rid of the blade, and if they don’t demolish it they risk the demons successfully managing to bring back the biggest bad the world has ever seen.
SLAY is basically an episode of Scooby-Doo. There are bad guys running around all over the place, slipping through the net and causing all kind of havoc, but you never really think they’re going to get away with it because of the meddling kids in Slay (and Milly, of course). It’s been compared to Supernatural and Buffy the Vampire Slayer too, and these are both good comparisons. This isn’t the kind of story you normally see on the page, and that’s both a blessing and a curse.
It’s a good thing, because it means that SLAY is a unique book, and you probably haven’t read anything like it before (even if you’ve definitely seen stuff like it). However, some of the scenes blur in an incoherent fashion – it’s written rather cinematically, but there’s not much description which makes it hard to follow exactly what’s happening at points. I certainly found this when the band are initially introduced: there’s a brief montage of descriptions about each boy, but they unfold so rapidly that it’s hard to differentiate them (except for Niv, who has been mute since the death of his and Zek’s mother).
This book is definitely aimed at a younger audience, sure to appeal to early teens who are just starting to get properly obsessed with boy bands for the first time. I know this would have been one of my favourite books if I’d read it when I was a bit younger!
I was torn between giving SLAY three or four stars, but decided to drop it down because the ending is a bit too quick compared to the rest of the story, which takes a while to develop. With the sequel, Slay on Tour, coming towards the end of the year, it feels as though the plot goes off the rails in the attempt to ensure the reader will return. I’m certainly going to, because the book ends on a little bit of a cliffhanger which has captured my attention, but if you’re looking for a fun standalone you don’t have to continue on with the series if you don’t feel so inclined.
If you’re interested in learning more about SLAY, check it out on Goodreads. If you decide to buy a copy, please consider using my Amazon affiliate link: I’ll earn a few pennies from your purchase. Thank you!
Welcome to the first of two blog tours which I’m taking part in today. The two titles couldn’t be much further apart – this is a book aimed at young school children, while I’m also on the blog tour for C.J. Skuse’s second adult crime […]
If you were asked to describe a serial killer, you probably wouldn’t describe Rhiannon. That’s how she keeps managing to get away with murder.
We meet Rhiannon on New Year’s Eve, mere hours before she chops a guy’s penis off for sexually propositioning her. That’s one way to stick it to the man! But this isn’t the first time she’s killed, and as her boyfriend Craig embarks on a passionate affair with Lana from her office, Rhiannon’s murdering spree quickly spirals out of control…
Despite being a ruthless killer, I really liked Rhiannon as a character for the majority of the novel. She has a moral code when it comes to killing, quite similar to Dexter – if a man attempts to sexually assault her, she murders them. She’s defending the defenceless, making the streets safer for the weak and unprepared women that would normally become their prey.
But as the novel progresses Rhiannon becomes more and more unhinged, and soon her morals are going out of the window. She tries to give up killing – really, she does – but before she knows it she’s killing indiscriminately, getting rid of anyone who dares cross her path. At that point I raised an eyebrow and took three steps back, and my enjoyment of the novel rapidly declined. Whereas to start with she had motivation that led to her killing, by the end of the novel thinks had unravelled to the point that the story was almost unrecognisable from where it had started.
That might have been the point – to show that killers are not often in control – but it made the character development seem insincere. There was one murder in particular that was unnecessary, so I have a sneaking suspicion that it might have been included to build hype for the sequel, In Bloom (which is being released next week).
However, the majority of the novel was enjoyable and highly entertaining. Rhiannon’s acerbic wit – particularly at the start of the story – had me laughing out loud. My boyfriend and I were reading this story together before bed, and Rhiannon’s crass commentary on her so-called ‘nearest and dearest’ even had him snickering. It certainly made me want to go to bed earlier so that we could finish the story, and I’m a quintessential night owl! The middle of the story was less impactful – the wittiness deteriorated while the pace slowed to a crawl – but as the story is told through diary entries it didn’t have the chance to drag too terribly.
For a first foray into adult fiction, C.J. Skuse has done a wonderful job at leaving her young adult roots far behind her. I’m not head over heels for this story, but I’m interested enough that I’m definitely going to give the sequel a chance.
If you’re interested in learning more about Sweetpea, check it out on Goodreads. If you decide to buy a copy, please consider using my Amazon affiliate link: I’ll earn a few pennies from your purchase. Thank you!
‘Villains. Stories are nothing without them.’ It’s been difficult to approach writing this review, because I’m conflicted about Because You Love To Hate Me. On the one hand, I think it’s a brilliant idea – making the villains into characters which it’s hard to resist sympathising […]