YA Book Prize 2020 spoilery shortlist thoughts
Hey everyone! In case you’re new here, I am obsessed with the YA Book Prize. Every year I challenge myself to read the ten book shortlist in its entirety before the winner of the prize is announced so that I can choose my own winner, and this year I’ve decided to collate my EXTREMELY SPOILERY thoughts on each of the ten titles into this post before I announce my winner at the end.
If you haven’t read all ten of these books yet, please look away now and come back later, because I’m not holding anything back today…
A Good Girl’s Guide to Murder by Holly Jackson – 5 stars
A Good Girl’s Guide to Murder has been described as the UK’s answer to One of Us is Lying, but having read both of them this month I am here to tell you that A Good Girl’s Guide to Murder is BETTER than Karen M. McManus’s debut.
When Pip begins her extended project, she decides to use it as an opportunity to re-investigate the murder of Andie Bell, which happened five years ago in her sleepy little town. Andie’s boyfriend Sal was blamed – he committed suicide a couple of days after she disappeared, and despite the fact that her body was never found his suicide seemed like evidence of his guilt – and the police confidently closed the case. But Sal was always nice to Pip, and she doesn’t believe the lovely boy who stood up for her when she was being bullied could have been responsible for such a heinous crime.
When Pip starts getting threatening notes warning her to leave her investigation alone, she knows for a fact she’s on to something. If Sal was guilty, why would someone be trying to stop her quest for the truth?
This book is bloody brilliant. Incorporating Pip’s extended project entry logs and interviews alongside the narrative makes it such a quick read, and you really do get to figure the case out alongside Pip. The project entry logs are quite similar to Hazel’s casebooks in the Murder Most Unladylike series – where she writes down all of the potential murders and their potential motives and works to cross them off – so if you’re a fan of that series but wish it was young adult rather than middle grade then I highly recommend this story.
I’m notoriously good at guessing who the murderer is, and I was completely blindsided by the reveal at the end. I had my eye on one person in particular who ended up not being involved in the case at all, so I’m hoping that they will end up being investigated in one of the later books in the series because they are a shifty motherhecker! (I know I said I was going to be spoilery, but I just can’t bring myself to give the identity of the culprit away…)
Another aspect of this book which I absolutely loved was the romance between Pip and Sal’s brother, Ravi. They work together on the case, trying to prove Sal’s innocence, and despite the fact that there is serious chemistry between them the only thing that happens romantically in this novel is a quick kiss in the epilogue. I ADORED this choice. If you’re trying to prove that your dead brother is not a murderer you aren’t exactly going to prioritise smooching the cute detective you’re working with, and I’m so glad that for once hormones didn’t come out on top. The case is prioritised until it is solved, and only then do they have time to take their friendship to the next level. That being said, I’m seriously hoping their relationship is developed further in future installments in the series, because I love the dynamics between the two of them: give me a solid friendship that slowly develops into more any day of the week.
A warning for you: this book does include the death of a dog. It is an accidental death and not a murder, but it does occur after the dog is kidnapped, so if you’re one of those people who will not read a book if the dog dies then this one is 100% not for you. I did not anticipate the dog’s death. My heart broke.
The sequel, Good Girl, Bad Blood, came out at the end of April, and I’m definitely going to be picking it up ASAP.
The Black Flamingo by Dean Atta – 5 stars
Before we even start talking about how much I loved The Black Flamingo, can we just take a moment to worship this gorgeous cover?! This is honestly one of the most beautiful YA covers I think I’ve ever seen.
I’m so glad I bought a physical copy of The Black Flamingo, not only because the cover is gorgeous but because the presentation of the verse is so important to the way that the story is told. With illustrations throughout including the Red Arrows, a hatching egg and more feathers than you can count, this is a book which you really need to hold to be able to get the most from it.
Following a young boy called Michael from birth to university, The Black Flamingo is a coming out story like no other. Open about his sexuality from a young age, Michael hardly experiences any discrimination because of his sexuality which is very refreshing to see in YA (and something which I hope accurately represents the shifting attitudes in young people towards people of different backgrounds, as people were not this accepting when I was a chick!). Instead, the real coming out story told in The Black Flamingo is that of Michael’s decision to become a drag artist. As someone who has been writing poetry in secret his whole life, Michael’s decision to bite the bullet and step out onto the stage as The Black Flamingo is an inspiring transformation which encourages young people to be who they are without apologising to anyone.
My only issue with this book is the way that it’s been marketed, as Michael’s life as The Black Flamingo takes up less than a third of the story, with the majority of the events taking place during secondary school. His decision to become The Black Flamingo is the destination rather than the journey, so if you’re reading this hoping that the entire book will be following the day to day life of a drag artist then you will be disappointed, but I think I enjoyed it even more because it was so different to what I was expecting.
I’m not a huge fan of novels told in verse, as I think it only works if the story needs to be told in that style, but there was no other way that The Black Flamingo could have been told. I thoroughly enjoyed this from the first page, and it’s a story I’m definitely going to revisit in the future.
Crossfire by Malorie Blackman – 4 stars
It is very difficult to review Crossfire, not only because it is the fifth book in a series but because it also feels like it only tells half of a story.
Crossfire follows Troy and Libby, who are the children of characters we meet earlier in the series, as they are kidnapped and trapped in a basement. It also has some chapters from Callie Rose and Tobey’s perspectives (the protagonists of Double Cross) dotted throughout, filling us in on everything which happened between the end of the last novel and the start of this one.
As is often the case with Malorie Blackman’s writing, this book has a non-linear narrative, skipping between Before and After the kidnapping, as well as jumping all the way back to when Callie Rose and Tobey were younger. It makes for a very intense read. The kidnapping happens right at the beginning and the blanks of who and why are filled in quite rapidly, making it easy to read this book in one sitting.
Personally, I feel as though this book is the strongest in the Noughts & Crosses series. Both plots are equally compelling. I couldn’t wait to see what happened between Tobey and Callie Rose, but I also wanted to get straight back to Libby and Troy. In the past I have found myself strongly preferring one viewpoint over the other (I loved Callum’s chapters more in Noughts & Crosses but found myself favouring Sephy’s viewpoint in Knife Edge, which meant the chapters following other characters ended up dragging a little bit) so it was a pleasant surprise that the new characters were just as interesting as the ones I already knew and loved.
However, this doesn’t feel like a complete story. It leaves off on one hell of a cliffhanger and, considering Crossfire has been out for almost a year and the next book doesn’t have a release date, title or a cover yet, it’s wholly unsatisfying. If I had been aware that the story stopped so abruptly I probably would have held off on reading this (well, if it hadn’t been on this shortlist…) because I feel as though I’m going to have to reread it to be able to appreciate the next installment fully. This was so close to being a five star (the other four books in the series have all been four stars, so it’s frustrating that I enjoyed this one the most and still couldn’t justify rating it any higher!).
I am finding myself a bit confused on how this has been nominated for the YA Book Prize, though. In their own words ‘Books published as part of a series are eligible but must work as a standalone title’, and I don’t think that’s the case with Crossfire. Not only is the story quite clearly unresolved, but it also seems impossible to read without previous knowledge of the series. Tobey and Callie Rose fill in the blanks between the events of Double Cross and Crossfire but don’t really recap things that actually happened in the previous book, and I think I would have had too many question marks floating around my head if I had read this without the context of the series so far.
I’m planning on doing a full series review of Noughts & Crosses at some point, as I reread all four previous books before reading Crossfire, but I will probably be waiting until the sixth and final book is released (whenever that may be!). However, I am so grateful that I’ve finally had the excuse to rediscover these books. I loved them so much when I was younger, and I love them so much now: I definitely won’t be leaving it as long before I reread them again.
The Deathless Girls by Kiran Millwood Hargrave – 3 stars
The Deathless Girls is Kiran Millwood Hargrave’s first YA novel, and unfortunately it makes me wish that she’d stuck to writing middle grade.
Marketed as the story behind the brides of Dracula, I didn’t think there was any possible way for this book to disappoint me, which makes this review even more painful to write. The Dragon doesn’t even appear until the last quarter of the novel, making the vampire content minimal, something which I’ve noticed in reviews that people either love or hate. If you go into this book knowing that it’s supposed to be focused on the brides of Dracula then you end up disappointed, but if you’re reading this expecting a tale of a young traveller girl fighting for her freedom then you get a wonderful twist when sudden vampires appear!
The first few chapters of The Deathless Girls are gripping. The day before Lil and Kizzy’s seventeeth birthday their traveller community is raided, their mother and all of the adults murdered while the children and teenagers are taken into slavery. It’s heart-wrenching stuff and makes for a very difficult read, but the rest of the novel is uneventful in comparison. I had expected The Deathless Girls to be a difficult read, but considering how long Lil and Kizzy are in slavery – and how dreadful the slaves seem to be treated prior to their arrival – they get off very lightly, which doesn’t seem authentic.
The relationship between Kizzy and Lil is well-crafted, but at times it verges on annoying. Lil constantly wishes she were more like Kizzy and could stand up to the people who are oppressing them, but although she repeats this sentiment multiple times she doesn’t really act upon it until she has no other choice. Her character development is realistic, as she is forced to murder a guard who attempts to sexually assault her and she finds it hard to accept the choice that she made, but from the beginning to the end of The Deathless Girls Lil hardly changes at all. By the time the book finishes she is an avenger, determined to kill as many of the wrong-doers of Romania as she can, but she still lets Kizzy make the choices and follows in her footsteps.
This is a f/f story, as Lil falls in love with a Settled girl called Mira, another slave in the Boyar Valcar’s castle. However, their relationship is only very lightly explored, going from longing glances to stolen kisses without any real discussion between them. Considering the relationship between Lil and Kizzy is so fleshed out, it’s a shame that Millwood Hargrave didn’t dedicate more time to making us care about the romance aspect of this novel.
The ‘Aftermath’ is where the focus of the story should have been, as in the last couple of pages Lil is turned into a vampyr and quickly sums up centuries of her life with a few brief chapters. If the story told in The Deathless Girls had been part one of a duology, or had been trimmed down so it was the first half of this story, it would have been better: as it was it felt as though the story had finally started and was over as quickly as it begun.
I’ve seen a few reviews which have mentioned that the Romani representation in this is not up to scratch, but as I don’t have a Romani background this is something I don’t feel qualified to comment on. If you are Romani and want to read a review discussing this aspect of the novel before reading it, I would recommend this one.
Deeplight by Frances Hardinge – 3 stars
Deeplight is only the second Frances Hardinge book I’ve read, the first being The Lie Tree (which was nominated for the YA Book Prize back in 2016).
Being described as a cross between Twenty Thousands Leagues Under the Sea and Frankenstein, I automatically had very high hopes for this novel.
Things started off well. In this world the people worshipped massive gods of the sea, but they mysteriously tore each other apart decades ago. People now desperately dive and scavenge for pieces of the gods, which sell for a fortune.
Hark’s friend Jelt gets them caught up in some shady business and Hark gets arrested. Luckily a scientist from one of the other islands takes pity on him when he’s auctioned off – there isn’t enough room in prison, causing convicts to be sold as slaves to work off their sentence – so Hark gets a fresh start away from Jelt, working in an ex-monastery caring for the people who used to dedicate their lives to the gods and assisting the scientist who saved him on the side.
Everything seems to be coming up roses for Hark, until Jelt rocks up again. He’s found a bathysphere – an old submarine-esque machine with which the priests used to visit the gods – and he’s decided that they’re going to go scavenging for pieces of the gods. However, things then take a dark turn: Jelt is killed in an accident involving the bathysphere. Hark feels pulsing in the water – the heart of one of the gods – which revives Jelt, but he doesn’t come back quite the same as he was…
When I reviewed The Lie Tree I said that it was perfect for “older and more mature readers of the middle grade genre”, and I stand by that in relation to Deeplight. However, where The Lie Tree also appealed to adult readers despite the fact that it had a young protagonist, Deeplight was a struggle for me to read for the exact same reason.
15-year-old Hark is very naive and reads as very young for his age. In all honesty I didn’t realise that he was 15 until just looking the book up on Goodreads – if that fact is mentioned in the novel, it is only mentioned very briefly – and he reads as either 12 or 13 at the very most. Jelt seems a lot older, and if we were following him I’d be more inclined to believe that this is a YA novel, but as he manipulates Hark and gets him into all of these situations he makes Hark seem like a child.
The only reason I can think that Deeplight is being marketed as YA is because of its length. This beast is over 400 pages and, I’ll be honest, I felt every single one of them. It is an absolute DRAG to read. I hate saying that, because I have been so excited about reading more of Frances Hardinge’s work, but I really did have to force myself to get through Deeplight. If I hadn’t been reading it for the YA Book Prize shortlist I probably would have ended up DNFing it.
A huge part of the plot is Hark coming to terms that Jelt is a bit of a monster – figuratively, and then literally – and realising that their friendship has been toxic since the beginning. However, the reader can see that very clearly within the first couple of chapters as Jelt bullies Hark into doing things he really isn’t comfortable with, making Hark’s slow realisation rather frustrating.
Sadly the gods seem to be the least important part of the plot, and they were the only thing that I was really interested in. After finishing Deeplight I read the short story Dolor’s Legs (which was available as Read Now on NetGalley for the month of April to celebrate the release of the paperback), and I ended up giving that four stars. I think it was only about fifteen pages, but it was much more interesting because it was wholly focused on one of the gods!
I’m definitely in the minority here – the Goodreads ratings for Deeplight are overwhelmingly high – so I might reread this in the future now that my expectations for it have shifted to see whether I appreciate it more second time around. I think I would have appreciated this far more if it had been marketed as middle grade, because it definitely doesn’t feel like a YA story, but that’s the way the cookie crumbles.
Furious Thing by Jenny Downham – 4 stars
When the YA Book Prize shortlist was announced, I had only read two books on the list. Out of those two Furious Thing was not my favourite, so unfortunately this was the first book out of the running for my personal winner, but upon rereading it I’ve also dropped it from a five star read down to a four star read – eek!
Furious Thing tells the story of Lex, a girl who constantly loses her temper and acts out. Her stepfather-to-be believes she has ADHD and needs to be diagnosed and medicated, while her mother is too meek to stand up to him. Lex tries her hardest to be a good girl like her little sister Iris, but she just can’t help herself: every time John and her mum argue she explodes, taking the heat away from her mum and getting John’s anger directly aimed at her instead.
The relationship between Lex and Iris is one of the best sibling relationships I’ve read in YA, and it’s definitely the thing that I’m going to remember most about Furious Thing in the future. I loved the psychology behind Lex’s anger, as both her and Iris are aware that she only really does ‘her monster’ when her parents are arguing (with the exception of one incident at school which is pretty much unexplained). It’s not necessarily the best lesson to teach people – if your parents fight just throw a laptop out of the window to distract them and make them angry at you instead! – but it certainly seems true to life, particularly if you’re trying to protect your younger sibling from parental drama.
That being said, although I love the main plot of Furious Thing and think it does such a good job of showing young people that it is okay to be angry, I have a few issues with the subplots which are more apparent second time around.
First of all there’s the relationship between Lex and John’s son, Kass. Lex is in love with Kass and believes that they’re destined to end up together, not caring about the fact that he has a girlfriend or that their parents are going to be married very soon. I don’t mind the feelings she has for him – they aren’t actually related, haven’t grown up too closely and are only a few years apart in age – but I’m not a huge fan of the hypocrisy in relation to the cheating. When John cheats on her mum Lex is angry, but she isn’t ashamed of the fact that she’s trying to steal Kass from Cerys because she believes that they’re meant to be together.
As Lex herself says, it’s easy to blame the woman when it comes to cheating, so I know that Jenny Downham includes this aspect to further solidify the similarities between Kass and his dad… But something about it just doesn’t feel realistic. When Lex sees how painful John’s affairs are she should experience some sort of remorse or guilt, but although she doesn’t want Cerys to find out because she doesn’t want to hurt her she also doesn’t seem to regret her actions in the slightest. It’s definitely not entirely Lex’s fault – Kass should have more respect for her and for Cerys – but I think this would have been a more effective comparison if Kass had been flirting with Lex and she had been fighting him off in the name of female solidarity, rather than running straight into his arms.
The other reason I’ve dropped my rating down to four stars is because of the ending. Lex laughs at John at their wedding reception, and soon enough all of the guests are giggling. This causes John to have a panic attack, but he believes he’s having a heart attack, and this is his comeuppance. It’s a very unsatisfying conclusion and, although I kind of liked it first time around because it was very unexpected, on a second read it comes across as absurd and unrealistic.
The fact that John and Lex’s mum stay together despite everything is logical, but I’m not quite sure why John would lose his job because of his behaviour and I don’t know why his panic attack would suddenly cause Lex’s mum to feel confident standing up to him. A happy ending like this, with the bad guy losing his power and becoming weak, just seems too neat and tidy to actually happen.
Furious Thing is still a very quick read – despite the fact that it’s nearly 400 pages it’s easy to read in one sitting – and I still very much like Lex’s character and the growth that she goes through, but unfortunately some of the subplots just don’t seem to hold up to close scrutiny.
I am glad I reread this one because I enjoyed it almost as much second time around, and I highly recommend it if you’re looking for a book which explores many different aspects of family, particularly sibling relationship. However, it’s just not one of my absolute favourites.
In all honesty I was torn between a four and a five star when I finished reading it the first time around, so I shouldn’t be too surprised that it dropped down after a reread!
The Gifted, the Talented and Me by William Sutcliffe – 2 stars
I was unconvinced by The Gifted, the Talented and Me appearing on this shortlist, but I tried to go into it with an open mind. I read and reviewed Concentr8 by William Sutcliffe four years ago and I really didn’t like it, so I was sure I wouldn’t fall in love with this one either.
Following a boy called Sam who is transferred to the North London Academy for the Gifted and Talented after his dad gets rich, the synopsis of The Gifted, the Talented and Me makes Sam sound like a spoiled brat. “Oh woe is me, my family have money and now I have to go to private school? My life could not be worse!”. In reality he’s not all that bad – he struggles to adjust to the change, as he’s not allowed to play football and that’s the one thing he really cares about – and my issues ended up being with much deeper than just irritation at a privileged main character.
Sam’s older brother Ethan makes a band, and he decides that their ‘thing’ is going to be that they are a “gay band”. Ethan comes out – very unconvincingly – and proceeds to fall in love with the lead singer of his band, who is in an f/f relationship with their drummer. Next thing the lead singer is cheating on her girlfriend with Ethan, in itself problematic because bisexual women are always portrayed as promiscuous and unable to remain faithful and that is a ridiculous stereotype to feature, but made worse is the fact that Ethan starts bemoaning the fact that he’s going to have to come out as straight to their mother. Just… No. No. No! You don’t have to be gay or straight, bisexuality is an option (although it’s just seems to be the punchline to a joke throughout this book).
Then there’s William Sutcliffe’s representation of feminism. Sam reads his mum’s blog, and she comes across as preachy and anti-men, complaining about being a wage slave (when her husband has just sold the business he made for a quite a lot of money, so it doesn’t seem as though she was ever the sole source of income for their family). Considering that this book is quite clearly aimed at teenage boys, Sutcliffe had a priceless opportunity to educate young boys about the importance of feminism and get them behind the cause, rather than making Sam’s mum a figure to be mocked and laughed at. This infuriated me, because young boys are constantly told that feminism isn’t important or relevant anymore and that women are hysterical for still being so passionate about it, and it would have been nice to see a male author changing the paradigm on the way that feminism is presented to young men.
Of course, as this is being recommended for fans of The Inbetweeners there are a ton of masturbation and erection jokes, so if you’re a fan of stereotypical laddish humour then you’ll probably enjoy it, but I knew this wasn’t going to be the book for me and I was right. In fact I only laughed once, when a stool that Sam’s mum made collapsed: who can resist chuckling at something as silly as that?
The only thing I personally liked about this is that it’s very quick – I managed to read it in just a couple of hours, so it wasn’t a huge time investment. It is also great to see a YA book which is so obviously aimed towards getting boys to read, as the majority of YA is still female-centric, and that’s the reason I ended up giving this two stars instead of just one. I wish Sutcliffe had used his voice to say something a bit more positive, but it was great to see a book like this on the shortlist. I hope that we’ll see more authors tackling the hard task of getting teenage boys to engage with reading in the future.
Meat Market by Juno Dawson – 3 stars
When the YA Book Prize shortlist was announced, I was certain that Meat Market was going to be a strong contender for my winner. Juno Dawson’s previous release, Clean, was absolutely ASTOUNDING, and it was my personal winner for the 2019 YA Book Prize (although Sara Barnard won with Goodbye, Perfect and I absolutely love her, so I couldn’t be too mad with that outcome).
Following Jana Novak, a tall, androgynous girl who has always been bullied for her looks, into the world of modelling after she is scouted at a theme park, Juno Dawson isn’t afraid to tell it like it is and shine a light on the darkest aspects of the modelling industry. From subtly bullying girls into eating less while pretending to be body positive, to getting young women into dangerous situations with known predators, Meat Market is not a book for the faint of heart and is definitely one that you should avoid if you are triggered by situations like either of those.
Sadly, this book didn’t quite live up to my expectations. I thought there were a lot of thing which were done brilliantly – in particular Jana’s dialect, which was so authentically young that there were some turns of phrase which I wasn’t even familiar with – but it just wasn’t quite what I was hoping for.
One aspect in particular which I wasn’t a fan of was the cheating subplot. Jana sleeps with a popular male model despite the fact that she has a boyfriend back home called Ferdy, and although he forgives her I found myself unable to. Ferdy justifies her mistake, empathising with the fact that he will never know what she was going through but the male model also knows what the industry is like. Although this is a realistic reaction, I just felt as though Ferdy deserved better. He tried to be there for Jana as much as possible, but instead of trying to talk to him she consoles herself by running into another man’s arms. It didn’t seem like a genuine response considering the sexual assault she had recently experienced, but I’m also aware that people deal with trauma in many different ways so I didn’t let this impact my rating too greatly.
I also thought the ending of the book was a bit too much of a happily ever after. The photographer who assaults Jana is found guilty and gets sentenced, while Jana signs with a new modelling agency called Honest Models who are committed to treating their girls ethically and overhauling the modelling industry. I LOVED the ending, but it just seemed a little too idealistic: in reality these things are sadly brushed under the carpet quicker than you could possibly imagine, and the likelihood of the Lucas Blo case actually having a lasting impact on the industry would be sadly quite low. I wish that wasn’t the case, but I just couldn’t quite buy into the cheeriness of the conclusion.
That being said, this is still one of the better Juno Dawson novels I’ve read. Those are two very small aspects of the plot, but the majority of it is very strong: the interactions between the cast of characters feel authentic, I loved the interviews sections spliced between each of the chapters and the way that it all linked together at the end to show Ferdy and Jana making a documentary regarding her experiences, and I thought the research and time that Juno Dawson put into writing this novel shows her commitment to exposing the darker aspects of an industry which is – quite literally – put on a pedestal as something girls should aspire towards from a very young age.
If you’re addicted to America’s Next Top Model but you’re also interested in the #MeToo movement, this is the perfect read.
The Places I’ve Cried in Public by Holly Bourne – 5 stars
The Places I’ve Cried in Public was the only other book on the shortlist which I’d read before the list was announced, and I was overjoyed to see it on the list.
This book tells the story of Amelie, who is going through a horrific break-up. To help her come to terms with losing her boyfriend, she decides to revisit all of the places where he made her cry, reliving their relationship from the night that they met up until the night when everything fell apart.
I decided to reread The Places I’ve Cried in Public before reviewing it, and I still can’t fault it.
Holly Bourne is an absolute pro at putting you in her character’s shoes. If you haven’t experienced a heartbreak you are a rare human, so it’s impossible not to empathise with Amelie as she goes through the stages of getting over her relationship with Reese. You experience her utter devastation, her loneliness, her frustration, and you feel it so deeply in your heart that it’s as though you are losing your first love all over again.
I think the thing I love the most about The Places I’ve Cried in Public is that it shows the different ways that relationships can be abusive. Reese is very manipulative, using gaslighting to make Amelie doubt her own sanity and blaming her behaviour every time he is in a bit of a mood.
This novel does feature a couple of scenes with sexual coercion and one rape scene, so if you do find yourself triggered by those things you might want to avoid this book. However, Holly Bourne has done her best to make it as softened as possible so as to trigger as few people as she can: when the rape occurs, the book simply features a page covered in raindrops. It’s so effective, and it brought a tear to my eye the first time I read this book.
I honestly believe this book should become required reading. Not only will it help a lot of people to evaluate their partner’s behaviour and realise whether they are in a damaging situation, but it will also help them realise that not all abuse is physical – something which I don’t think I realised when I was younger.
The Quiet at the End of the World by Lauren James – 3 stars
The Quiet at the End of the World started off being a really difficult read. Set in 2109, this story takes place in a world where a mysterious flu-like illness (sound familiar?!) has caused an incurable sterility in humans. We follow Lowrie and Shen, the two youngest people on the planet, as they begin to come to terms with the fact that they’re going to be the last of their kind.
Honestly, I found that aspect of this story the most compelling thing about it. Some of the quotes were so timely that I had chills, and I wouldn’t be surprised if Lauren James won the YA Book Prize purely because she has put into words the feelings of helplessness and despair that so many of us are feeling during this unprecedented time.
However, things then take a turn for the bizarre. Turns out, Shen and Lowrie aren’t just the youngest people on the planet, they’re actually the only people on the planet. All of the adults around them are realistic dolls called BabyGrows, which were developed to fill the void caused by the sterility. This is discovered after all of the adults begin having unexplained fits, and our two main characters have a race against time to try to save their parents before their software resets. We also discover that Shen and Lowrie are actually clones created by the BabyGrows in their never-ending quest to cure the sterility which plagued their ‘parents’, a fact which is hidden for the majority of the book.
It’s also set in the year 2509, not the year 2109: a fact which at first glance appears to be a typo, and one which I’m not sure every reader would pick up on. I’m far too much of a picky perfectionist when it comes to reading, so this sent up an automatic red flag when I spotted the discrepancy in a medical file which we are shown: if I hadn’t been so particular, or if that discrepancy hadn’t been explicitly shown on the page, it might have been a more shocking reveal rather than a satisfied resolution of a minor irritation.
I’m conflicted about how I feel towards The Quiet at the End of the World. While I was reading it I had so many questions – how are Lowrie and Shen expected to repopulate the Earth if they are the last two people alive? How are their parents so sprightly when they’ve got to be in their 80s at least? – and I assumed that if all of my questions were answered then I’d be satisfied and would give the book a higher rating… But even though all of my questions were resolved I still didn’t feel satisfied.
In fact I’m pretty sure I’m going to forget all about this book within the next couple of months because, other than the fact that it’s creepily appropriate to the current situation, it doesn’t have much of an impact. The only dramatic tension comes from whether Shen and Lowrie are going to be able to find a solution to the problem with their parents – the problem which allows them to learn that their parents are BabyGrows in the first place. There isn’t a bad guy, all of the people get on and seem to be really good friends, and Shen and Lowrie don’t even rage against the truth: they calmly accept the fact that their parents hid it from them for good reason, and then they move on with their lives. I don’t think I’ve ever read a dystopian with less drama!
I did like the fact that we learn about the original illness through the social media posts of a girl called Maya, whose purse Lowrie finds on an abandoned tube train. However, that aspect requires a suspension of disbelief that I couldn’t quite manage. Lowrie reads Maya’s page religiously, devouring knowledge of how the original sterility came to pass, learning about the creation of the BabyGrows and following Maya up until she dies from old age. It’s thanks to Maya that they learn how to fix their parents, as she had a similar problem with her own BabyGrow daughter. That being said… What form of social media can you think of that doesn’t start with the most recent post and go back to older entries? I just can’t fathom a way that Lowrie could have learned about this all chronologically: Maya’s story and Lowrie’s story run parallel, but really the end of Maya’s story should have been discovered at the beginning of the book, with the start of the sterility coming to light at the end. I know I’m being nitpicky, but I just couldn’t stop thinking it! I would have believed it more if Lowrie had found Maya’s diary in her purse, because that’s something you would read from beginning to end… But a diary that spanned over forty years also wouldn’t hold up under any kind of scrutiny. Argh!
This frustrates me so much, because I’ve heard so many amazing things about Lauren James’ writing, but this wasn’t anywhere close to the standard that I was expecting. I did end up giving it three stars because I loved the characters of Shen and Lowrie and found myself really rooting for them (even though it’s obvious they’re going to end up together, I still squealed when they kissed for the first time!) and I also loved the descriptions of London almost 500 years in the future. Unfortunately the unsatisfying aspects just completely outweighed the good, and I was unable to look past that.
That being said, I’m still planning on reading Lauren James’ other books, particularly The Loneliest Girl in the Universe (which focuses on a girl inadvertently self-isolating on a spacecraft… So possibly not one I’ll be picking up for a good long while!).
After careful consideration, I’m pleased to announce that my winner of the YA Book Prize 2020 is…
The Places I’ve Cried in Public by Holly Bourne!
As you can tell by the fact that they all got five stars, this ended up being extremely close between The Places I’ve Cried in Public, The Black Flamingo and A Good Girl’s Guide to Murder. I might be slightly biased as this was a reread and not a first read, but something about Places just hits a little harder.
That being said, I think The Black Flamingo has easily shot straight to the top of the best verse novels I’ve read, and A Good Girl’s Guide to Murder is so good that I’ve already bought the sequel, Good Girl, Bad Blood, so I have definitely managed to find some new favourites by reading this shortlist!
If you’ve also read the YA Book Prize shortlist, let me know your winner down in the comments. I’m eagerly awaiting the official announcement to see whether the judges agree with me or not, but I’ve had so much fun reading each of the books and deciding for myself – I’m definitely going to be doing the same thing again next year.